{"version":"1.0","provider_name":"Irvine Weekly","provider_url":"https:\/\/irvineweekly.com","author_name":"Irvine Weekly","author_url":"https:\/\/irvineweekly.com\/author\/semanalmedia\/","title":"Soderbergh\u2019s Revisionist Noir Takes Darkly Humorous Look at Crime and Capitalism - Irvine Weekly","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ZDv5GIxMTS\"><a href=\"\/soderberghs-revisionist-noir-takes-darkly-humorous-look-at-crime-and-capitalism\/\">Soderbergh\u2019s Revisionist Noir Takes Darkly Humorous Look at Crime and Capitalism<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"\/soderberghs-revisionist-noir-takes-darkly-humorous-look-at-crime-and-capitalism\/embed\/#?secret=ZDv5GIxMTS\" width=\"600\" height=\"338\" title=\"&#8220;Soderbergh\u2019s Revisionist Noir Takes Darkly Humorous Look at Crime and Capitalism&#8221; &#8212; Irvine Weekly\" data-secret=\"ZDv5GIxMTS\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/irvineweekly.com\/wp-content\/uploads\/2021\/07\/no-sudden-move-759x500-758672.jpg","thumbnail_width":759,"thumbnail_height":500,"description":"One can make the argument that Steven Soderbergh is the David Bowie, or more appropriately, the Scott Walker, of film directors. Much like those musical geniuses, he isn\u2019t interested in financial reward or notoriety, as much as subverting genres, stretching the medium to its brink and going to extreme lengths to never repeat himself. Sometimes [&hellip;]"}